Mary Tighe and Literary History: The Making of a Critical Reputation
Identifieur interne : 000117 ( Main/Exploration ); précédent : 000116; suivant : 000118Mary Tighe and Literary History: The Making of a Critical Reputation
Auteurs : Harriet Kramer LinkinSource :
- Literature Compass [ 1741-4113 ] ; 2010-07.
English descriptors
- Teeft :
- Andrea henderson, Apuleius, Author journal compilation, Blackwell, Blackwell publishing, British bibliographer, British critic, British library, British review, Buxton forman, Cecilia pietropoli, Charlotte dacre, Commonplace book, Critical reception, Critical reputation, Critical review, Daniel robinson, Earle vonard weller, Eclectic review, Elizabeth barrett, Englischen literatur, English literature, Felicia hemans, General repository, Glasgow magazine, Graceful voluptuousness, Great britain, Harriet kramer linkin, Harvard university press, Henry tighe, James carpenter, John carpenter, John keats, Keats, Larger number, Last poem, Letitia landon, Lilla maria crisafulli, Linkin, Literary bouquet, Literary history, Literary papers, Literature compass, Longman, Longman archives, Luscious sweetness, Many critics, Maria edgeworth, Mary tighe, Masculine desire, Mexico state university, Modern language review, Modern poets, Monthly review, National library, Nineteenth century, Northern ireland, Notable irishwomen, Occasional effusion, Osborn collection, Other poems, Other writings, Oxford university press, Parallel passages, Poetical works, Posthumous work, Present century, Private circulation, Private edition, Psyche, Public record, Quarterly review, Reeves turner, Romantic context series, Romantic elements, Romantic tradition, Romantic women poets, Romanticism, Scholarly edition, Shorter notices, Strong feelings, Thomas moore, Tighe, Trinity college dublin, Twentieth century, University press, Vols, William blake, Women poets, Yale university library, York times book review.
Abstract
This essay offers a survey of critical (and uncritical) responses to Mary Tighe from the initial private printing of her epic poem Psyche; or, the Legend of Love in 1805 to the present. It opens with a brief discussion of the problematic status of Tighe’s literary papers, reviews the curious fame she experienced before her death in 1810, and then provides a detailed analysis of her literary reception in the nineteenth, twentieth and twenty‐first century after the 1811 publication of Psyche, with Other Poems. In addition to its extensive overview of the published scholarship that has shaped Tighe’s critical reputation, the essay also attends to the less prominent readers (or fans) who played a significant role in keeping what Thomas Moore once called Tighe’s ‘quiet fame’ alive.
Url:
DOI: 10.1111/j.1741-4113.2010.00717.x
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">This essay offers a survey of critical (and uncritical) responses to Mary Tighe from the initial private printing of her epic poem Psyche; or, the Legend of Love in 1805 to the present. It opens with a brief discussion of the problematic status of Tighe’s literary papers, reviews the curious fame she experienced before her death in 1810, and then provides a detailed analysis of her literary reception in the nineteenth, twentieth and twenty‐first century after the 1811 publication of Psyche, with Other Poems. In addition to its extensive overview of the published scholarship that has shaped Tighe’s critical reputation, the essay also attends to the less prominent readers (or fans) who played a significant role in keeping what Thomas Moore once called Tighe’s ‘quiet fame’ alive.</div>
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